The Mythology and Folklore Database
H20 - Released fish.




128 Myths, Legends and Folktales
126 Unique Narratives for Motif H20
42 Cultures & Traditions where H20 is told
216 Mythemes Indexed
1 Sub-Motifs of Motif H20


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 Motif Summary  -   Motifs with Simlar Dispersals  -    Map of Myth Distribution   -   List of Traditions  -   Myths



Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.



Summary of Motif

All the fish or (rarely) molluscs were concentrated in one place. A certain character allows them to escape or deliberately releases them into rivers or the sea. {In some cases, the theme of the spread of fish concentrated in a small container is difficult to separate from the theme of the spread of water. In any case, neither of these exist in Africa}.

Berezkin category: Paradise Lost

This is of motif type Cosmology and etiology and is part group 7, Etiology of plants and animals and of their peculiar features, particular animals as protagonists of cosmological stories, metamorphoses, weather and calendar


H20 has 1 other sub-motifs


H20.  All the fish or (rarely) molluscs were concentrated in one place. A certain character allows them to escape or deliberately releases them into rivers or the sea. {In some cases, the theme of the spread of fish concentrated in a small container is difficult to separate from the theme of the spread of water. In any case, neither of these exist in Africa}.
H20a.  A woman or several women keep fish or water in some kind of container; a man releases all the fish into rivers or the sea, releases the water. See motif H20.

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Top 10 Motifs with similar dispersal patterns

MotifSimilarityMotif Summary
J4496.91%The hero lures the enemy onto a rickety bridge. The enemy falls into the water, into the abyss (see motif J46). See motif J52.
K395.96%The hero climbs a tree or rock to get bird eggs, chicks, fruit, honey, etc. He cannot climb down because another character makes the tree (rock) very tall or makes the tree trunk thick. See motif K1A.
B2995.68%People turn into animals, birds or stones, living beings acquire their current characteristics at a general meeting, festival, after a festival, after performing a ritual or after defeating a common enemy.
F9495.63%A man ascends to the upper world, where he can choose a wife associated with either life or death.
B1495.57%In order to regulate the flow of the river in a certain way, the character creates rapids and waterfalls.
A3495.45%The jackal, coyote or fox are associated with the moon (usually with the appearance of lunar spots).
K87A95.31%A forest woman receives or kidnaps a little boy and raises him to be her lover.
B2895.17%Travelling from one locality to another, the character successively transforms people into birds and animals, into stones, sanctuaries (or transforms monstrous animals into ordinary ones), establishes cultural norms, determines the biological characteristics of creatures, the appearance of the locality, etc.
H32A95.10%A young woman is the embodiment of fertility; she comes to live with people, and food becomes readily available. The woman is wronged, she leaves, and the superabundance ends.
M8A94.44%Animals, and more often birds, find it difficult to break through a rock from the outside or inside, make a hole in the tree, in the body of an absorber creature, tear fetters, etc., to help a character or get out of the confined space by yourself. The list <b><i>includes</i></b> groups whose texts deal with the exit of the first ancestors to earth from a confined space.

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Map of Motif Dispersal

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This motif has been recorded in 42 traditions: Sepik-Ramu stock: Abelam, Yatmul, Aibom, Ayom (incl Tembregak, Asai-river pygmies), Tangu, Porapora (Ambakich), Rao and other groups of Middle Ramu and Upper Keram River tribes; Kwanga, Watam, Kaian, Gamei, Awar; Kire (Lower Ramu), Hawaii, Batak (Toba, Dairi), Nganasans, Inland Tlingit, Koyukon, Gwich'in (Kuchin, Loucheux), Haida, Tsimshian, Nootka (Nu-chah-nulth), Makah, Micmac, Wawenock, Abenaki, Penobscot, Shuswap, Thompson (Nlaka'pamux), Lushootseed (Puget Sound: Puyallup, Nisqualmi, Snuqualmi, Duwamish, Muckleshoot, Snohomish, Skagit), Lower Chehalis, Upper Chehalis, (Lower) Cowlitz, Western Sahaptin (Upper Cowlitz, Klikitat, Tenino, Umatilla, Yakima, Wallawalla), Nez Perce, Kalapuya, Okanagon, Sanpoil, Karok, Yurok, Pomo, Western Shoshone, Gosiute, Kekchi; Mopan, Creols of Eastern and Central Cuba, Taino of Haiti, Guajiro, Sicuani, Napo (Quijo), Kanelo (“Jungle Kechua”), Kofan, Barasana, Taibano, Macuna, Letuama, Tanimuca, Ufaina, Yahuna, Kabiyari, Yukuna (Yucuna), Tariana, Lima dep: Costa and adjacent Sierra (Spanish, Kechua, and Jacaru-speaking communities, mostly in Pachacamac, Cajatambo, Canta, Huarochirí; Spanish sources of XVI-XVII centuries), Ayoreo, Chamacoco (Ishir), Mataco, Chorote, Toba (incl Pilagá), Upper Chinook: Wasco, Wishram, Clackamas, Kathlamet


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