The Mythology and Folklore Database
H36B - The chameleon betrays man.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
The chameleon is to blame for the fact that man is mortal or that he must labour; he loses the trust placed in him by the deity. See motif H36.Berezkin category: Paradise Lost
This is of motif type Cosmology and etiology and is part group 4, Origin of death, diseases and hard life
H36 has 17 other sub-motifsH36. A character is sent to deliver instructions or certain items. The messenger distorts the message, brings the wrong items, loses what he is carrying, delays (and is overtaken by another messenger). This has important consequences for him and for the future lives of the people. H36a. The character distorts the message conveyed to him, deliberately lies, brings the wrong thing, loses what he is carrying, delays (and is overtaken by another messenger). As a result, people become mortal (they do not revive after death). H36aa. The messenger must tell people what they should do if they want to avoid death, but he distorts the instructions and people become mortal. In Mesoamerican variants, it is not about people in general, but about a specific character. H36b. The chameleon is to blame for the fact that man is mortal or that he must labour; he loses the trust placed in him by the deity. See motif H36. H36c. The lizard is to blame for the fact that man is mortal. See motif H36. H36d. The hare distorts God's command and/or is responsible for the fact that humans are mortal. See motif H36. H36e. The rat is to blame for the fact that man is mortal. H36f. The raven is sent to deliver an important item or message. He distorts the message or loses what has been entrusted to him. H36ff. The raven (crow) or other large bird of prey tries to kill people and/or is responsible for the fact that humans (tigres: domestic animals) are mortal or susceptible to disease. H36g. God sends a messenger to the people to tell them to eat infrequently (once a day, once every three days, etc.). The messenger says that one should eat often – at least two or three times a day. H36g1. When a bull (ox, cow) is ordered to convey certain instructions to people, he confuses them or deliberately distorts them. H36g2. When a character, who later became a dung beetle, was ordered to convey certain instructions to people, he distorted them. H36gg. The coyote is to blame for the fact that humans are mortal. H36h. Creatures, including a frog or toad, must cross an obstacle. This does not go as planned and results in humans becoming mortal. H36hh. The frog or toad is to blame for the fact that humans are mortal. H36i. The goat or sheep is to blame for the fact that man is mortal. See motif H36. H36j. The lark is to blame for the fact that man is mortal. h36k. Trees try to prevent humans from appearing on earth, fearing that they will cut them down. Click here if would you like to see a distrbution map combining all of H36's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| M104 | 99.58% | A character suggests that another kill their close relatives (children, brothers, mother), hides their own, and assures them that they have killed them. When the other actually kills their children, mother or brothers, it turns out that the first character's relatives are unharmed. See motif A41 (The Moon hides her star children to provoke the Sun into killing his children). |
| M180A | 99.42% | A zoomorphic character invites another to visit, but demands that they wash their hands or feet before eating. This proves impossible, and the guest leaves hungry. |
| M119 | 99.34% | A character repeatedly shows another person the same object or creature; the other person believes that there are as many objects or creatures as the character has shown them. Usually, the character takes care of the other person's young, eats them or they die due to his negligence, or he is hired as a shepherd and eats the other person's livestock. When checked, he shows the parent (the owner of the herd) the same un-eaten young (or the same sheep), and the parent believes that all the young (animals) are safe. In ATU, this is plot 37, but two other plots are included as variants, and the sources are indicated for all three collectively. |
| M182 | 99.26% | A character threatens to hit another character and, as a result, gets stuck with all his limbs. Usually, it is a doll covered with something sticky, which the character mistakes for a living creature. |
| M105 | 99.23% | The character hides his mother (wife, mother-in-law), but tells another that he has killed or sold her, or demonstratively leads her away to be sold, but lets her escape. See motif M104. |
| L106A | 99.15% | The antagonist makes formally justified but essentially unfair demands on the hero. The hero either fulfils them or is punished by the antagonist. Then the antagonist takes an object or animal belonging to the hero, but cannot return it and is punished equally or more severely. |
| B2G | 98.87% | The chameleon walked on the ground when it had not yet hardened. |
| B98B | 98.87% | The Bat comes into conflict with other creatures in connection with someone's death or funeral. |
| B98C | 98.87% | The heavenly deity could have healed the bat's mother or child, but did not do so, and they died. |
| C30B | 98.87% | In response to the claims of an animal or spirit, a person offers to remove their traces from the field or to walk without leaving any traces. The spirit is unable to do so. |
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Map of Motif Dispersal
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This motif has been recorded in 27 traditions: Arabs of Egypt, Acoli (Acholi), Lur (Alur, Luri), Lango, Ngbakka, Mbum (incl Mbai), Mundang, Fali, Tupuri, Maya (=Bali), Nyong, Kalenjin; including Sabaot, Nandi (Nande), Arusha, Kipsigis, Pokot (Suk), Keiyo (Elgeiyo), Marakwet, Sebeei, Shone (Shona, =Mashona, =Karanga), Makoni (Shoni dialect), Remba (=Hungwe, Wahungwe); Zezuru, Rozwi, Ndau (Vandau), Tonga, Malawi (incl Nyanja, Banyanja, Manganja), Tumbuka (incl Henga), Nsenga, Matengo, (Ba)Wenda, Kikuyu, Chuka, Embu, Emberre, Mwimbe, Hehe, Pangwa (Upper Rufudji area), Bena, Matumbi, Ngoni, Pogolo, (Ma)konde, Mawiha, Ganda, (Ba)Nyoro, Nyankole, Masaba (Gisu), Luia (=Luyia, Haya, Luhya, Bantu Kawirondo; incl. Vugusu, Maragoli), Bemba (Wemba, Babemba; incl Ambo, Lala, Lamba, Bisa), Holoholo, Kaonde, Congo (Koongo, Bacongo; incl Vili, Fioti, (Ma)Yombe, MuKunyi), Ndombo, Luango (Loango), Zombo (Sambo), Laadi (Laari), (Ba)Fioti, Woyo (Kiwoyo), Ronga, Lozi (Losi, Rotse, Barotse), Lui, Subiya (Subia), Zulu, Swazi, Tswana (Chwana), Suto (Soto; incl Pedi, Mbire), Duala (Douala), Basa (Basaá), Kwiri (Kweli), Isubu, Fang (Pangwe), Eton, Bafia, Batanga, Benga, Bube (Bubi), Buheba, Yaunde (Ewondo), Yebekolo, Koko, Bulu, Beti (Beti-Bulu), Sekiani, Eghap, Tiv, Bamum (Bamun), Mungaka (Mgaka, Bali), Beba, Anaguta, Bete (Mbete, Karang), Ekoi, Nyang, Vute (Wute), Jukun, Chamba, Bamileke, Kwotto, Kirri; Denya (Nyang), Hausa, Other West Chadic: Ngas, Bolanchi, Tangale, Biu-Mandara: Margi, Kilba, Bura, Kera, Karekare (Kerri-Kerri), Bachama, Zulgo, Giziga, Hdi, Kapsiki, Mandara (incl Mukulehe, Matakam), Mofu (Mofu-Gudur), Somrai (Sibine, Shibha), Torricelli family: Valman, Samap, Arapesh (Upper, Coastal), Monumbo, Lilau, Ngaimbom; Moando (Banara); Menya, Olo, Palawan (incl Agutaynen), Kachin (Singpho), Chak, Mari (Cheremis), Ndebele, Pedi, Thonga (Tsonga incl Ronga), Hlengwe, Matabele (Tebele), Scythians, Scythe