The Mythology and Folklore Database
K90 - Black and red, (ATU 156B*).




51 Myths, Legends and Folktales
51 Unique Narratives for Motif K90
27 Cultures & Traditions where K90 is told
118 Mythemes Indexed
2 Sub-Motifs of Motif K90


Please log on to view the narratives.




 Motif Summary  -   Motifs with Simlar Dispersals  -    Map of Myth Distribution   -   List of Traditions  -   Myths



Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.



Summary of Motif

A person sees two opposing monsters or animals (usually of contrasting colours: red and black, black and white) and helps one of them, or one of the combatants helps the person. (Cf. ATU 156B, 738).

Berezkin category: Adventures: Acts of heroes

This is of motif type Adventures and tricks and is part group 10, Adventures


K90 has 2 other sub-motifs


K90.  A person sees two opposing monsters or animals (usually of contrasting colours: red and black, black and white) and helps one of them, or one of the combatants helps the person. (Cf. ATU 156B, 738).
K90a.  Seeing two snakes of contrasting colours fighting, a man tries to strike one, but accidentally hits the other. The relatives of this snake gather to punish him, but upon learning what happened, they reward him.
K90b.  The antlers of a deer or the tusks of an elephant, which a snake or dragon is trying to swallow, get stuck in its mouth.

 Click here if would you like to see a distrbution map combining all of K90's motifs?



Top 10 Motifs with similar dispersal patterns

MotifSimilarityMotif Summary
H49C98.68%A tame bird (rarely: a domestic animal) shows visible aggression towards its owner (usually a falcon knocks a bowl out of the hands of a thirsty man). The man kills the bird (animal) and then discovers that they saved him from death.
K61F98.20%Fearing her husband's wrath, a childless woman pretends to have given birth. Her husband believes that he has a daughter or son, and after some time marries her off (marries him off). During the wedding ceremony, a doll or animal is placed under the veil (in the palanquin), but at the last moment, a supernatural character transforms the supposed bride (groom) into a girl or boy.
M171C97.97%At the request of a character, another character removes a thorn from his body (cuts off the tip of his tail, etc.). The thorn (tip of the tail) disappears, or when it is removed, the character is wounded. As a result, he receives something more valuable than what he has lost.
K38C97.93%After the hero helps the bird (usually by doing good to its chicks), it takes him to the place he desires, or instructs its chicks to do so. (This does not involve movement between levels of the universe; in the Sumerian version, the bird gives the hero the ability to move with lightning speed and directs him to his goal).
I46C97.88%The rainbow is a rope to which cattle are tied.
H49D97.59%A character (usually a bird) brings a healing (rejuvenating) fruit (seed, branch). Accidentally or maliciously, poison gets into the fruit. The person whom the fruit-bearer wanted to help kills or is about to kill his benefactor, and then learns of his mistake.
K76F96.99%A young man with the appearance of a calf marries and then turns into a handsome man.
K66B96.82%Travelling from one place to another, the hero leaves one of his companions in each place (usually marrying them to the princesses he has received as a reward), and continues on his way. When he gets into trouble, his companions come to his aid.
F9F96.65%Without the woman's knowledge, the demon regularly kills her suitors on their wedding night.
K27Z596.64%Two men agree to marry their children if one has a son and the other has a daughter. The girl's parents do not fulfil the agreement. The boy grows up and finds his betrothed.

 See more...

Please log on to view the narratives.



Map of Motif Dispersal

Click here for a clustered map

Drag the map around by clicking and using the mouse, use the wheel to zoom



This motif has been recorded in 27 traditions: Aramaic (Syrians), Yemen, Algeria Arabs, Lepcha, Greeks (modern), Balkarians, Estonians, Uzbek, Ingush, Georgians, Armenians, Crimean Tatars, Karaims, Anatolia Turks, Azeris (Azerbaijanis), Kurds, Kara Kalpak, Uyghur, Hui (Dungan) of Xinjiang, Gansu, Shaanxi, Shanxi, Inner Mongolia, Qinghai, Kyrgyzstan, Kazakhstan (Dungan texts from Southern and Eastern China are clustered with the Chinese ones), Turkmen, Buryats: Western (cis Baikal), Dongxiang, Baoan, Khakas, Shor, Southern Altai: Altai proper (Altai-Kiji), Telengit, Altaians, Central Tibetans (Yu Tsang, incl. Sikkim Tibetans, Tichurong of NW Nepal), Arabs (literary tradition; incl. One Thousand and One Nights), Salars, Bhutan


Please log on to view the narratives.