The Mythology and Folklore Database
L72C - The abandoned mirror.
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Source Data from Berezkin's Analytics Catalogue, if using this data please acknowledge and link to it here:
Ю.Е. Березкин, Е.Н. Дувакин. Тематическая классификация и распределение фольклорно-мифологических мотивов по ареалам. Аналитический каталог.
Summary of Motif
Fleeing for his life, the character throws a mirror behind him, which turns into an obstacle for his pursuer (ice, lake, etc.) or attracts his attention and causes him to lose time. (In the Udmurt version, objects destroy obstacles in the character's path).Berezkin category: Adventures: Monsters and evil spirits
This is of motif type Adventures and tricks and is part group 10, Adventures
L72 has 12 other sub-motifsL72. While fleeing, the character throws small objects behind him, which turn into powerful obstacles in the path of the pursuer, or (rarely) the pursuer creates such obstacles in the path of the fugitives. (Cf. SUS 1979, No. 313H = AA 313I, p. 114: escape by throwing magical objects, an episode in various types of fairy tales). L72a. Fleeing for his life, the character throws behind him a comb (brush), which turns into an obstacle (almost always thickets) in the path of his pursuer. (In South America, this motif is most likely of European origin). See Andreev 1929, No. 313.I. L72b. Fleeing for his life, the character throws small objects behind him, which turn into powerful obstacles in the path of his pursuer. One of the objects thrown is a whetstone. (In one of the Udmurt variants, the objects thrown destroy the obstacles in the character's path). See motif L72. L72c. Fleeing for his life, the character throws a mirror behind him, which turns into an obstacle for his pursuer (ice, lake, etc.) or attracts his attention and causes him to lose time. (In the Udmurt version, objects destroy obstacles in the character's path). L72d. Fleeing for his life, the character throws behind him a pair of scissors, which turn into some kind of obstacle in the path of his pursuer. L72e. In order to overcome the obstacles created by the fleeing hero, the pursuer is forced to return home for the necessary tools. L72e1. In order to destroy the obstacles created by the hero, the pursuer uses tools. Before continuing the chase, he is forced to spend time taking them home or hiding them, otherwise animals and birds will steal them. L72f. Fleeing for his life, the character throws behind him the entrails or stomach contents of an animal, which become an obstacle in the path of his pursuer. L72g. Fleeing for his life, the character throws salt behind him, preventing his pursuer from continuing the chase. L72h. Fleeing for his life, the character throws behind him a tool for kindling fire (flint, tinder, match, kindling), which becomes an obstacle in the path of his pursuer. (A discarded flint is counted if it serves to strike fire, and is not counted if it is simply a hard stone that turns into a mountain). L72i. Fleeing for his life, the character throws soap behind him, which turns into an obstacle for his pursuer (a slippery mountain, river, etc.). L72j. Fleeing for his life, the character throws behind him an awl or needle, which turns into many awls or needles. L72k. Fleeing for his life, the character throws a jar of oil behind him. Spilling out, it turns into a lake or river. (Only North American materials are taken into account. In the Old World, the motif is rare and unsystematic. In North America, it most likely refers to hair oil in all cases). Click here if would you like to see a distrbution map combining all of L72's motifs? |
Top 10 Motifs with similar dispersal patterns
| Motif | Similarity | Motif Summary |
|---|---|---|
| F9F1 | 99.51% | Inside the woman there is a snake (snakes, scorpions, just poison) that comes out of her mouth. {Motifs F9f1 and K100C are almost identical, but the first can be included in the cosmological-etiological category and is associated with the idea of a dangerous woman, while the second belongs to the adventure category}. |
| K100C | 99.46% | A woman (rarely a young man) does not know that inside her (him) there is something dangerous for her (his) marriage partner (usually a snake), or that on her wedding night she will turn into a snake, or that a snake will crawl in on her wedding night. The hero or his companion eliminates the danger. {Motif K100C is similar to F9f1, but the latter belongs to the cosmological-etiological category and is associated with the idea of a dangerous woman, while K100C is adventurous}. |
| M198 | 99.31% | In the house of the khan (judge, king, etc.), three brothers (rarely one person) determine that the food and drink served to them smell of dead flesh, dog, goat, etc., and (or that) the host who receives them is illegitimate or of low birth. After questioning the servants and his mother, the host is convinced that the brothers are right. |
| K73B5 | 99.17% | A woman is accused of actions that she could not have committed by her very nature. To refute the accusation, an example of something equally absurd and impossible is given, or it is pointed out that the interlocutor accepts the impossible but does not believe in the possible. |
| M198A | 99.17% | Brothers (rarely: one person) determine the characteristics of a domestic animal they have not seen, or of the person who stole the animal, based on subtle clues. {In ATU, plots 655 and 655A are combined; in Aarne, Thompson 1961 and in regional indexes, our motif M198A corresponds to plot 655A} (Type 655A only in Aarne, Thompson 1984. In ATU mixed with 655). |
| K154 | 99.17% | A person finds a skull on which a mysterious and gloomy prophecy is written or which utters it. Then it becomes clear what it means. |
| M39A6D | 99.16% | One of the relatives or spouses transfers a text or object to the other through third parties. Only the recipient understands the meaning of the words or the item handed over, saves the sender and/or destroys his enemies. |
| M198A3 | 99.10% | One of the brothers secretly takes valuables belonging to all of them or is illegitimate. The brothers come to an authoritative figure to determine who is the thief or illegitimate child. Usually, the figure tells a story and determines the culprit based on the reaction of those who have come. |
| E9H | 98.91% | Before meeting the hero, his beloved (wife, helper) has the image of a dove. |
| B51A | 98.90% | The snake is the enemy of the swallow (usually because the swallow prevents the snake from destroying people – the snake sends a mosquito or other blood-sucking insect to find out whose blood tastes better; the mosquito returns to report that it is human blood; the swallow bites off its tongue, and the snake plucks the feathers from the swallow's tail). |
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Map of Motif Dispersal
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This motif has been recorded in 32 traditions: Algeria Arabs, Niue, Germans: North (Low- and Central German dialects): Schleswig-Holstein, Mecklenburg, Pommern, Niedersachsen (Lower Saxony, incl East Frisia and Oldenburg), Nordrhein-Westfalen, Hessen, Rheinland-Pfalz, Thüringen, Saxony-Anhalt, Sachsen, Brandenburg, Rügen, Greeks (modern), Balkarians, Serbs, Monte Negro, Balkarians, Albanians, Balkarians, Karelians, Western Sami, Russians: Central part of ethnic territory as in A.D. 1500 (Tver, Yaroslavl, Moscow, Kostroma, Vladimir, Ivanovo, Nizhny Novgorod, Ryazan, Tula, Kaluga, Smolensk provinces; in case of absence in other areas also Russians in Vyatka, Perm, Kazan provinces), Uzbek, Tajik, Abaza (Abazins), Karachays, Balkar, Ossetians, Nogai, Georgians, Armenians, Crimean Tatars, Karaims, Anatolia Turks, Hui (Dungan) of Xinjiang, Gansu, Shaanxi, Shanxi, Inner Mongolia, Qinghai, Kyrgyzstan, Kazakhstan (Dungan texts from Southern and Eastern China are clustered with the Chinese ones), Bashkirs, Udmurt, Mongols (Khalkha), Oroch, Tewa (San Juan, Santa Clara, San Ildefonso, Tesuque, Nambe; Hano), Tiwa (Taos, Picuris; Sandia, Isleta), Towa (Jemez), Pame, Jonaz (Chichimeca-Jonaz), Mazahua, Otomi, Pasco, Junin, Huancavelica departments: Central Peru, Sierra (Kechua-speaking communities in Spanish sources XVI-XVII centuries), Ayacucho department (Kechua-speaking communities; Spanish sources of XVI-XVII centuries), Kechua-speaking communities of Apurimac, Cuzco, Arequipa, Puno departments; Spanish sources of XVI-XVII centuries; Callawaya (Kechua with Pukina substratum), Mustang, Kordofan, Egypt